I wish I knew who wrote this.

Graphic design is the most ubiquitous of all the arts. It responds to needs at once personal and public, embraces concerns both economic and ergonomic, and is informed by many disciplines including art and architecture, philosophy and ethics, literature and language, science and politics and performance. Graphic design is everywhere, touching everything we do, everything we see, everything we buy: we see it on billboards and in Bibles, on taxi receipts and on web sites, on birth certificates and on gift certificates, on the folded circulars inside jars of aspirin and on the thick pages of childrens’ chubby board books. Graphic design is the boldly directional arrows on street signs. It is the bright green logo for the New York Jets and the monochromatic front page of The Wall Street Journal. It is hang-tags in clothing stores, postage stamps and food packaging, fascist propaganda posters and brainless junk mail. Graphic design is complex combinations of words and pictures, numbers and charts, photographs and illustrations that, in order to succeed, demand the clear thinking of a particularly thoughtful individual who can orchestrate these elements so that they all add up to something distinctive, or useful, or playful, or surprising, or subversive, or somehow memorable. Graphic design is a popular art and a practical art, an applied art and an ancient art. Simply put, it is the art of visualizing ideas.